Difference between revisions of "The Voice of Conduct"
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|Context=Project for AMRO Festival: Art Meets Radical Openness 2020 | |Context=Project for AMRO Festival: Art Meets Radical Openness 2020 | ||
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| − | This project is a collection of vocal exercises that explore the frustrations, emotions and tensions behind Codes of Conduct. Each group uses different tones to set expectations for users — ranging from neutral to aggressive, diplomatic or kind. How can we interact with written rules, what do these rules express, what happens when we read and perform them with our voices, turning them into dialogues and scripts? We | + | [[File:Voiceofconduct1.png|frameless|1000px|center]] |
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| + | Go to the website mentioned above to read the descriptions of the exercises and see further information on the project, or start listening here. This project is a collection of vocal exercises that explore the frustrations, emotions and tensions behind Codes of Conduct. Each group uses different tones to set expectations for users — ranging from neutral to aggressive, diplomatic or kind. How can we interact with written rules, what do these rules express, what happens when we read and perform them with our voices, turning them into dialogues and scripts? We invited the listeners to initiate conversations around these questions by writing comments and thoughts on the website. | ||
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[[File:Voiceofconduct.mp3|frameless|left|900px]] | [[File:Voiceofconduct.mp3|frameless|left|900px]] | ||
Latest revision as of 15:56, 7 June 2020
| Author | Artemis Gryllaki, Rita Graça |
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| Source | http://voiceofconduct.club/ |
| Context | Project for AMRO Festival: Art Meets Radical Openness 2020 |
Go to the website mentioned above to read the descriptions of the exercises and see further information on the project, or start listening here. This project is a collection of vocal exercises that explore the frustrations, emotions and tensions behind Codes of Conduct. Each group uses different tones to set expectations for users — ranging from neutral to aggressive, diplomatic or kind. How can we interact with written rules, what do these rules express, what happens when we read and perform them with our voices, turning them into dialogues and scripts? We invited the listeners to initiate conversations around these questions by writing comments and thoughts on the website.
