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In those moments I became a self I rarely was. Performing brought out something feral in me that I couldn’t access in real life. Similarly, most machines I used on a daily basis were silent. But when I forced myself and my machines into unnatural situations, it revealed the anima in both of us. When it performed with me, my projector became a living being. I wonder if I’ll ever be so bold again. I’ve mellowed as I’ve grown older, and my projector is falling apart after traveling with me around the world. I don’t know when live performance will return after the pandemic. But a part of me longs to stand in front of my projector again and listen to it breathe.

In those moments I became a self I rarely was. Performing brought out something feral in me that I couldn’t access in real life. Similarly, most machines I used on a daily basis were silent. But when I forced myself and my machines into unnatural situations, it revealed the anima in both of us. When it performed with me, my projector became a living being. I wonder if I’ll ever be so bold again. I’ve mellowed as I’ve grown older, and my projector is falling apart after traveling with me around the world. I don’t know when live performance will return after the pandemic. But a part of me longs to stand in front of my projector again and listen to it breathe.

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brmputation now that (operational) sounds are disappearing? ----------------------------------------------------------This first issue consists of a collection of stories and reader that revolves around the sound of computer activity. For this part, each contributor was invited to share a vivid memory or vague experience on how sound connected them to the material world of computation and digital networking. Each contributor provided a piece of audio and an image with their text which formed t

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How can sound contribute in restoring our relationship with the material world of computation now that (operational) sounds are disappearing? ----------------------------------------------------------This first issue consists of a collection of stories and reader that revolves around the sound of computer activity. For this part, each contributor was invited to share a vivid memory or vague experience on how sound connected them to the material world of computation and digital networking. Each contributor provided a piece of audio and an image with their text which formed the starting point of this format.

How can sound contribute in restoring our relationship with the material world of computation now that (operational) sounds are disappearing? ----------------------------------------------------------This first issue consists of a collection of stories and reader that revolves around the sound of computer activity. For this part, each contributor was invited to share a vivid memory or vague experience on how sound connected them to the material world of computation and digital networking. Each contributor provided a piece of audio and an image with their text which formed the starting point of this format.

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While I'm putting the finishing touches on a text that I've been working on for a few months (yes, I'm referring to this thesis of course), a problem arises. Just before correcting one of the last crooked sentences, the document I am working in freezes. As I first blame the browser, I conclude my machine is jammed. Although this happens rarely –my machine served me well over the years– my first reaction is always the same: I desperately start pressing the keys on my keyboard and increasingly faster and harder although I don't remember it ever solving the problem. The sounds produced by the mechanics of the keys do not match my expectation as my screen gives me the information that it is not accepting any input.

While I'm putting the finishing touches on a text that I've been working on for a few months (yes, I'm referring to this thesis of course), a problem arises. Just before correcting one of the last crooked sentences, the document I am working in freezes. As I first blame the browser, I conclude my machine is jammed. Although this happens rarely –my machine served me well over the years– my first reaction is always the same: I desperately start pressing the keys on my keyboard and increasingly faster and harder although I don't remember it ever solving the problem. The sounds produced by the mechanics of the keys do not match my expectation as my screen gives me the information that it is not accepting any input.

While I'm putting the finishing touches on a text that I've been working on for a few months (yes, I'm referring to this thesis of course), a problem arises. Just before correcting one of the last crooked sentences, the document I am working in freezes. As I first blame the browser, I conclude my machine is jammed. Although this happens rarely –my machine served me well over the years– my first reaction is always the same: I desperately start pressing the keys on my keyboard and increasingly faster and harder although I don't remember it ever solving the problem. The sounds produced by the mechanics of the keys do not match my expectation as my screen gives me the information that it is not accepting any input.