Talk:Bateson’s Negentropic Discourse Matrix

TABLE A, B & C – THE DISCOURSE MATRIX

Table A

Table B

Table C

To transcend the deutero-paradox, Bateson would argue, human beings would have to engender cultures of reflexivity in order to meet the political and ecological challenges ahead. This capacity for reflexivity is itself an expression of negative entropy as it allows the reflexive subject to contemplate the different levels of abstraction they operate within. For Mankind to survive humans will need to act on the epistemological errors of the past and acquire new habits of thinking, sensitive to the larger gestalt and less bound to individuality.

In his review of developments in the field of psychology and psychiatry in the United States, Communication The Social Matrix of Psychiatry, Bateson outlines possible ways forward and identifies: “A synthesis of the various components resulted in premises which indicate that European concepts are being adapted to the American scene and social science concepts are being mixed with purely physiological approaches.”

After disregarding Freudianism (see chapter: From Schizmogenesis to Feedback and Cybernetics - Dynamic Psychology) Bateson considers tendencies in psychiatric thinking which are conducive to a “circularistic conception”. Bateson presents three tables, shown to the right, which chart

(A) the tendencies toward acceptance of a “larger gestalten” (open system);
(B) advances in scientific method, formal philosophy and communications engineering;
(C) “humanistic protest” against the nineteenth-century scientistic, reductionist approach. For Bateson “[these] newer ideas appear to be a protest against the reduction of the human individual to materialistic or crude biological terms.”

The three tables, Bateson’s “epistemological graph” from Communication: The Social Matrix of Psychiatry (1951) serve to explain the shift toward a cybernetic epistemology; translating humanist ideas into cybernetic terms and outlining habits of thought that belongs to an earlier “occidental” epistemology and those tendencies which are conducive to the new era of communication.

This is an early recognition by Bateson of a tendency expressed by the emergent beat culture (and later by the counterculture of the 1960s). The tables provide a diagram of a discourse which moves progressively in the direction of a cybernetic epistemology. Noting that these movements are most apparent in humanists, scientists, and philosophers concerned with problems of communication, Bateson gives a nod to Hegelian synthesis and considers various instances in which humanism and communications science meet in agreement.

The scientist seeks a smaller gestalt (closed system) in order to examine the particular in greater detail, yet their results demand a shift to larger gestalten (open system). Humanists, on the other hand, prefer larger gestalten because they offer freedom from the determinism and control a closed system creates. The humanist subculture revolts against the systems of control imposed by a natural science which privileges cause-and-effect; the scientist recognises that their own actions effect the world and that study of any phenomena must be reflexive. In Bateson’s synthesis, reflexivity is produced by material practice: the data reveals the scientist's presence, the act of observation alters the data being collected, this reflexivity is a function of negative entropy.

In this way humanism and rigorous communication theory lead to the same result, from the circularistic perspective, no system can be determined by one of its parts because “no part of a circular or reticulate system can be governed by or included within another part because the parts of the system are themselves interactive.”

Bateson regards the Jungian mandala as descriptive of the process of intrapersonal and interpersonal relationships. They are not expressed in the rigour of communications theory but are rather expressed on a deutero level. The humanistic approach and the approach of communications theory meet in the matter of violent clinical intervention such as a lobotomy or electroshock treatment. The humanist might be horrified, whilst the communications engineer would protest against the destruction of the patient’s entropy, as the invasive procedure increases disorder and muddle and reduces the capacity of the organism to increase order through making choices (invasive treatments reduce the store of information available to the individual).

Bateson opposes the Freudian emphasis on the excavation of the individual's personal biography (the “talking cure”) and favours instead an emphasis on the context the individual inhabits, he advocated for an approach, in keeping with second-order cybernetics, which recognised that the observer cannot be divorced from the system they study, that all actors in the exchange are part of an open system.

“Freud's tripartite system (id, ego, and superego), however, still has some lineal characteristics, and events pertaining to the interaction of one individual with other persons and his participation in wider social events are not satisfactorily represented. As Ptolemy once postulated that our earth was the center of the astero-physical world, so Freud placed the intrapersonal processes at the center of all events. Today we must recognize that such a position is untenable. We will grant that for the understanding of intrapersonal processes Freud's model of the soul is still the most comprehensive system available. However, because of its lineal character and because of its relative isolation from other systems, it does not suffice to encompass all that happens between people. What we need today is systems which would embrace both events confined to the individual and events encompassing several people and larger groups.”(emphasis my own)

Bateson goes on to consider the psychiatrist Harry Stack Sullivan’s emphasis on interpersonal interaction as a metacommunicative statement. In the practices of the 1920's Washington School of Harry Stack Sullivan, interpersonal analysis allowed for reflexivity of the context in which the subject is formed. Stack Sullivan, working with William Alanson White and Count Arthur Korzybski at the St. Elizabeth's Hospital in Washington D.C., posited that mental disorder, and specifically schizophrenia, was a regressive psychosis, resulting from the failure to recognise different levels of abstraction. In the theory of regressive psychosis patients spoke in a private language which it was the therapist’s task to decipher. Sullivan: “Any problem in psychopathology becomes a problem of symbol functioning, a matter of seeking to understand and interpret eccentric symbol performance.”

Korzybski developed the Theory of General Semantics around the central credo that “the map is not the territory” (the symbolic is not the real), during and after his work at St. Elizabeth’s Hospital. At the hospital Korzybski also developed the Structural Differential – a three dimensional diagram illustrating the relation between the nervous system and environment which served as a therapeutic instrument– to help patients recognise different levels of abstraction (see the previous chapter Why “The Map is NOT the Territory”).

Russell-Whitehead’s concept of abstraction is central to Bateson’s general epistemology. In Communication: The Social Matrix of Psychiatry Bateson marries the “formal communications theory” of Shannon with Russell-Whitehead’s theory of types (Principia Mathematica, 1910) in order to argue that communication can be explained in terms of hierarchy of levels of abstraction. The theory of types was also central to Korzybski’s general semantics which, like Bateson, arrived at a diagnosis of schizophrenia as a regressive psychosis.

Bateson maintains that he became acquainted with the theory of types in the 1940s through his involvement with cybernetics. I have outlined in previous chapters how McCulloch & Pitts applied Russellian symbolic logic to their formulation of neural net theory, and Norbert Wiener had studied under Russell in Cambridge. In A Sacred Unity (1991/77) Bateson states: “The credit for discovering Principia in engineering and human natural history goes, surely, to Norbert Wiener (1948) and Warren McCulloch. I learned this powerful insight from them and brought it to the Langley Porter Institute. Jurgen Ruesch and I were indeed ‘standing of the shoulders of giants’”.

Bateson, who had corresponded with Korzybski during the 1940s, does, however, acknowledge Korzybski’s general semantics as deriving from Russell’s theory of types:

“[...]it is impossible to go far in thinking about communication and codification without running into tangles of this type and because similar tangles of levels of abstraction are common in the premises of human culture and in psychiatric patients. In fact, this is the type of internal contradiction which Korzybski and the school of general semantics attempt to correct in their therapy. Their treatment consists in training the patient not to confuse his levels of abstraction. In fact, their treatment follows the lines of Russell's resolution of the paradox, which he attempted by asserting the rule that no class shall ever be regarded as a member of itself because to do so would be to confuse levels of abstraction.”

Korzybski’s structural differential provides a model for later forms of “post-cybernetic therapies” because it was the first such device to create a self-reflexive circuit through the machine (the structural differential) and the body of the user. The structural differential – which the ‘patient’ touched in order to understand the difference between the symbolic and the real, and to comprehend the distance between the ‘object event’ and its representation – provided a model which would be repeated in later technologies of self, which I will discuss presently. After the structural differential came the e-meter, the tape recorder, the Portapak and the CCTV system. All were used as technologies of self-reflexivity which made a circuit between the machine and the nervous system of the user. The purpose of such devices was to make the user realise that they are part of a larger system of circuits. Such technologies would be enthusiastically adopted by the 1960s counterculture in which ecologies of the self and larger ecologies could be understood in the same terms.

The aspect of Stack Sullivan’s approach that Bateson focusses on in Communication: The Social Matrix of Psychiatry is interpersonal analysis, which emphasized the patient's interactions with others. Bateson reformulates Sullivan’s method into a feedback mechanism within the parameters of cybernetics. In Communication: The Social Matrix of Psychiatry, Bateson translates the “humanistic” aspect of Sullivan’s therapy into an issue of codification within the circuitry of communication. In Communication: The Social Matrix of Psychiatry, after establishing the system Bateson cuts the humanistic cloth to fit the new cybernetic coat.

“If […] we look at the same Sullivanian doctrine of interaction with the eyes of a mathematician or circuit engineer, we find it to be precisely the theory which emerges as appropriate when we proceed from the fact that the two-person system has circularity. From the formal, circularistic point of view no such interactive system can be totally determined by any one of its parts: neither person can effectively manipulate the other.”
[...]
“In fact, not only humanism but also rigorous communications theory leads to the same conclusion: that the problems are those of interaction as well as of internal structure. If therapy is a matter of correcting false or idiosyncratic codification, we arrive again at an emphasis upon interaction but get there by way of formal communications theory rather than by way of the recognition that man is “human.”

In this extract Bateson takes an established practice and reframes it in terms of cybernetic theory. Here the figure of the circuit becomes the agent for interaction and therapy is a “matter of correcting false or idiosyncratic codification.” This allows Sullivanism to remain intact whilst accounting for its unscientific humanism. It may well be a symptom of “humanistic protest” against the reductive methods of the nineteenth century but its effects serve an end which is in the bounds of the new cybernetic epistemology. Here Bateson notes a directional change in favour of a cybernetic epistemology. Later, in the 1960s Bateson will make a similar alliance with the counterculture, which despite finding, at times, “trivial”, “mystical” and “anti-intellectual”, he nevertheless appreciated for it's tendencies toward ecological, non-hierarchical modes of thought and communication.

STEPS TO AN ECOLOGY OF INFORMATION

In the seventh chapter of Communication: The Social Matrix of Psychiatry, Information and Codification: A Philosophical Approach, Bateson returns to first principles, examining the low levels of organization in animals and machines. Bateson outlines the steps through which an organism will go through before it can distinguish itself from its environment and conceive of self, as such. Here Bateson outlines a media ecological theory which forms the basis for his subsequent work through StEM (1972) and the works published posthumously, Mind and Nature (1980) to Angels Fear (1987) and Sacred Unity (1991).

In Communication: The Social Matrix of Psychiatry, Bateson establishes codification as “a systematic relationship between the internal and the external”, identifying the unsystematic elements as “noise”. Bateson further separates “digital” codification from “analogic” codification, which each have an accompanying machine: Digital = the calculator (converting events into arithmetical relations) and analogic = the wind tunnel (in which changes in the external system are represented in the model).

Bateson introduces a third type of machine, referred to as “gestalten”, which has a particular relation to homeostasis and negentropy. Such a machine “can identify formal relations between objects or events in the external world and classify groups of such events according to certain formal categories. A message denoting the presence or absence of an event which fits a certain formal category is then transmitted, possibly by a single signal within the machine.” In such a machine a complex message can be recognized by a single “pip”, affording an economy of information.

The elements needed for “comprehending” gestalten are present in the Gray Walter’s cybernetic tortoise, which scans the environment, registers the “pip” – represented by a flash of light as the light sensor rotates – and feeds that information through its system and acts on the next “pip”. The concept of “gestalten” was controversial amongst the cyberneticians, and had been a central concern of the cyberneticians dealing with brain function and feedback automata – Craik, Ross Ashby, Gray Walter, and McCulloch. Bateson takes Wiener’s lead (Wiener had written extensively on the concept in Cybernetics) and defines gestalten as the views which people take of things which allow for the organizational details of perception – to distinguish between the figure and the ground, for instance; alongside this Bateson places a notion derived from McCulloch-Pitts neural net theory, the neural shower. Bateson’s Communication: The Social Matrix of Psychiatry was published in the same year as McCulloch’s Why the Mind Is in the Head(1951), which follows the same argument, establishing a measure of information as a unit of entropy, distinguishing the digital from the analogue and moving on to describe the human brain’s ability to read gestalten. For McCulloch “the nervous system is par excellence a logical machine”

In Bateson’s account the human nervous system is inundated with information (the neural shower) which is then codified in symbolic terms – this can take the form of an image or a word. This can be understood as an internal image of events in the external world (in Craik’s parlance, a model).

For Bateson: “The existence of Gestalt processes in human thinking seems to be the circumstance which makes us believe that we are able to think about concrete objects, not merely about relationships.”

I have added emphasis here, because with the phrase “makes us believe that we are able to think about concrete objects” Bateson asserts that thinking in terms of “things” is “an epiphenomenon which conceals the deeper truth that we still think only in terms of relationships.” Core to Bateson’s epistemology is that we think differently than we think we think, that the thinking which informs our actions is often not conscious and that the conditions of thinking are established prior to conscious thought. The fact that we think differently than we think we think establishes a fundamentally ambivalent relation to knowledge. We make an object of relations and we accord value to perceptions which are already at several stages of codification (or levels of abstraction), which are already caught in a recursive circuit.

For Bateson, human beings think in terms of their relationship to the things they encounter as they move through the world and all knowledge of external events is derived from the relationships between them (“man plus environment”). This is why the M. Specularix was such an influential machine to cyberneticians in the early 1950s, because it modelled and performed the process of encoding-decoding in real time. In scanning its environment it apprehended, in its own rudimentary fashion, the gestalt of that environment and reacted, within the limits of its basic nervous system, accordingly. It enacted machine + environment in a media ecology. Human interaction with the environment can be understood as an upscaling of the general principle that was embodied by the cybernetic tortoise.

When a person moves their finger over an uneven surface, Bateson points out, they experience difference and each difference is a relationship. The transformation of data into information uses no energy; in this way codification, the hierarchy of types, communication and evolution move in the same direction: increasing order with little or no expenditure of energy. Given that the human organism responds to difference and finds lack of difference difficult to perceive, the matter of which end organs are stimulated (and which are not) accounts for the ability to distinguish figure and ground. The brain is able to form a picture from what is stimulated (figure) and what is not stimulated (ground).

Bateson’s enquiry leads us back into the orbit of Grey Walter’s tortoise as he returns to photosensitivity, synthesising Grey Walter’s light-seeking creature and McCulloch’s neural nets as he considers the organisation of the organism in terms of codification.

If, on a basic level, a protozoa is stimulated to move toward the light, there is news of a difference: there is light in this direction <+, there is not light in that direction –>. This difference represent two bits of information in which “the gamut of possible external events to which the information may refer is reduced not to a half, but to a quarter, of the original range; similarly three ‘bits’ of information will restrict the possible gamut of external events” Information is always multiplicative in that it simultaneously, in registering a difference, makes a positive and negative assertion.

The skill of Bateson’s argumentation is striking: again, Bateson uses a notion deriving from controversial or “unscientific” sources – such as gestalten theory, which was ill defined, or Sullivan’s interpersonal analysis, which was under-theorised and “humanistic” – as a means to translate or frame a cybernetic idea. In this instance, gestalten becomes a vehicle through which to synthesise Wiener’s negentropy theory and McCulloch-Pitts idea of neural activity and, in so doing, stress their relation to homeostasis.

FIRST PRINCIPLES IN A (MEDIA) ECOLOGY

Later in his career, in for instance Effects of Conscious Purpose on Human Adaptation(1968), Bateson will use the term “screen of consciousness” This applies to the notion of subject formation within the context of a broader cybernetic ecology.

The dual aspect of communication (command-message) is fundamental to Bateson’s conception of the subject which is constructed imminently within a series of feedback loops. Here Bateson develops his reading of McCulloch (via Russell): each message is simultaneously a statement or report about events at a previous moment and a command – a cause for stimulus at a later moment. Bateson takes a string of neurons as an example (AB & C). Firing A leads to firing B, which leads to firing C. In this circumstance, B has a dual function of commanding C to fire and of reporting a past event (the firing of B) to C. In all communication, the transference of knowledge by A will influence the subsequent actions of B, although in the case of human communication this relation may be obscured or complicated by syntax: a person may heed the command without fully understanding the information this command conveys, or they may take the command as a report.

The ambiguities arising from it are central to any encounter between a patient and psychiatrist and form the basis of (the inevitable) misreading of levels of abstraction. The subject is produced within this structure which generates ambiguity and ambivalence; deutero-thinking acknowledges the structure, which affords adaptation. Having established, in Information and Codification, the nature of codification in relation to the emergence of self within environment, Bateson outlines the hierarchy of order which allows the self to conceive of self, as such (unity in division is established). Here Bateson established that the emergence of the individual should be understood within a broader, ecological context.

In this section of the chapter Bateson emphasizes

a) Stages of development which pertain to evolutionary theory
b) Stages of abstraction which relate to a broader epistemology

He subdivides these into eight phases in order to describe the passage from the nonconscious to consciousness and ultimately to describe the limits of consciousness, Bateson arranged these phases in order of logic, as opposed to chronology.

Bateson's diagram illustrating "subdivision of that sub-circuit which we call the organism.", Communication: The Social Matrix of Psychiatry p.187.

1. Bateson returns to the imagine of a protozoa engaged in heliotropism (turning to the sun), or similarly a servomechanism responding to light and seeking a target. Although there is discrimination in terms of behavior, both follow a binary, on/off, light/no light function. Such an organism could not conceive of itself as having self. At this level, discrimination becomes a matter of order between one thing and another "light-dark, blue-yellow, oak-elm".

2. A subdivision of sub-circuit, allows for localized sensation which allows further discrimination between self and environment.

3. Subdivision of total circuit.
The self is demarcated within an arbitrary line which allows for a play between the self and environment “[including] within the self various objects and events outside his skin but ultimately connected with him” Bateson here arrives at the central tenant of his epistemology, which is the fundamentally arbitrary relation between organism and environment: “there is, in fact no right way to delimit the self.” […] “to be able to conceptualise ‘I include such-and-such in myself’ is already a more complex achievement than the simpler ‘I am and there are things which I am not’.’”

Bateson's diagram illustrating "subdivision of the total circuit into two parts, the self and the environment", Communication: The Social Matrix of Psychiatry p.189.

4. Conceptualisation of division between self and environment

5. Conceptualisation of the causal arcs within the self.
At this stage the mind-body dichotomy is produced. Bateson: “splits within the self and the environment; or vice versa, splits within the self may be expressed in the premises regarding the relationship between self and environment.”)

6. Multiple levels of abstraction

7. Gestalten in time spans.
This involves the sequencing of narrative events (biographical elements into a series which makes sense). Here humans become, in the parlance of Korzybski’s general semantics, time-binding.

8. Reification of concepts. Morality seen as “binding”; a repudiation of death (a concept which the living subject can have no knowledge of and so is sensibly unable to refute.

The self at the end of this cycling is derivative of the coding process. For Bateson Gestalten is a process of progressive feedback which consolidates the organism within its environment. Psychological problems, along with self-awareness, are the result of the coding required to differentiate the self from the environment. Bateson is explicit about the consequences: “The price which man pays for the economy which Gestalt codification permits is his proneness to ambivalence”.

Bateson's diagram illustrating the formation of values within a system: “a universe of objects and events as perceived by an individual, including the individual's own actions among these[...]if there are items in common between A and B, and if A is positively valued and B negatively valued, the result will be a form of ambivalence.”, Communication: The Social Matrix of Psychiatry p.193.

The double bind (that “we learn that we cannot learn that which we learn”) arises through the double-coding of the self. Schism is impossible to avoid, because a subdivision is required to differentiate stage 1 from stage 2. Division is encrypted into the code of unity. For Bateson “every summary is an ordering condensating [sic] of unsummarized data, the universe could be categorized in infinitely various ways.” Central to Bateson's conception of the psychiatric subject is that adaptation is afforded as it passes through the hierarchy of learning through signal-response (ab) which is recursive within a circuit (“ab” + “ab” = “abababa...”.“abababa...” = learning.)

After outlining the eight stages of the hierarchy Bateson gives a detailed explanation of Russell's paradox in relation to levels of abstraction and the organization of information. Bateson sites various examples including the paradox of the liar: if we are told “I am lying” is the speaker telling the truth? Russell's own solution would be that “no class shall ever be regarded as as a member of itself – because to do so would be to confuse levels of abstraction.”. The oscillation between 'yes' and 'no' when faced with such paradoxes is temporal, we think through the implications of each position before switching back, and then we switch again. This oscillation (between absence and presence) represents a scanning. The subject establishes purpose after receiving information from the source and feeding it back to the source; the subject cannot conceive of itself as a subject as such until a circuitry of unconscious activity has been established. (Although thought only ever evolves in time, paradoxes, which are an outcome of conscious thought, suspend the action of thought from time, they exist in an atemporal domain. In reality thought is engendered by the play of difference between the stimulus and that which the stimulus produces.) Bateson is led to ask, given the structural contradiction which does not allow us to see beyond the matrix of abstraction which defines us, how is one able to talk about self-observation or free will? “[T]he epistemological problem of consciousness of the self within the self will have to be postponed for the present [it is] beyond the reach of scientific explanation.” .

Bateson would pursue the “epistemological problem of consciousness” throughout his career, it would thread through the ongoing discussion on aesthetics, communication and ecology, oscillating at the centre of his work. In Bateson’s later writing, Sacred Unity (1991) and Angels Fear (1980) for instance, his proclamations become more axiomatic and his language more poetic. Bateson describes the emergent self variously as a “smoke ring”, “screen of consciousness”, and a “necessary fiction”.

BATESON–LACAN

In a 1977 text published in Sacred Unity Bateson presents two extremes of identity: solipsism and non existence. Somewhere between the two, “is a region where you are partly blown by the winds of reality and partly an artist creating composites out of inner and outer events”. Bateson then introduces the figure of the smoke ring which occupies the space between self-determined identity and non-existence:

“A smoke ring is, literally and etymologically, introverted. It is endlessly turning upon itself, a torus, a doughnut spinning on the axis of the circular cylinder which is the doughnut. And this turning upon its own in-turned axis is what gives to the smoke ring separable existence. It is, after all, made up of nothing but air marked with a little smoke. It is of the same substance with its environment. But it has duration and location and a certain degree of separation by virtue of its own in-turned motion. In a sense, the smoke ring stands as a very primitive, oversimplified paradigm for all recursive systems which contain the beginning of self-reference or shall we say selfhood”.

For Bateson, at the beginning of the 1950s, the key to social, individual, and systemic problem was that somewhere along the chain of symbols the blood is mistaken for the wine, the map is mistaken for the territory, the menu card is mistaken for the food. In the next chapter I will outline how William Burroughs – mixing the same elements of general semantics and cybernetics – proposes an equally radical conception of the self that emerges into a new form of tactical media.

Why “The Map is NOT the Territory” ←

→ Time-Binding and Time-Scrambling